In his most recent trip, Sathyan Anthikkad takes us to the madly upbeat home of the rich agent Vincent (Mukesh). But the reckless most youthful child Jomon (Dulquer), every other person is very much settled in life and printing cash, much the same as the sagacious patriarch. Jomon, in the mean time, plays the spoilt rascal to the grip, blazing extensive gaps in his dad's record.
One unsafe business choice later, Vincent loses it all, which is a signal for Jomon's obligation to kick in, and whatever remains of the adoring family to all turn unfriendly. Starting there onwards, it's about the science between the father and the child, something which we have seen in a significant number of Sathyan movies. Be that as it may, what holds up the motion picture is this, with Mukesh and Dulquer thinking of sincere exhibitions, and being flawless foils to each other, in the prior interesting repartees and in the later, passionate groupings. Two female leads additionally show up, yet get lost in the midst of the father-child story.
To upgrade Jomon's character, the script relies on upon a few natural tropes, similar to the character of a rich presumptuous businessperson, the childish crazy relatives and many others. The script does not go out on a limb as well, declining to ever take the surprising courses. When making a motion picture which has a storyline so like a late hit, these deviations are what you anticipate.
Be that as it may, in the last message, without which no Sathyan motion picture can happen, it takes a totally unique turn from Jacobinte Swargarajyam. While the last was more about in some way or another triumphant back every one of that was lost, here the heroes are compelled to scrutinize the way they looted and lived, and in this way winds up raising the same to contemporary society as well. Just that, the question is past the point of no return in the story and scarcely holds any constrain.
Movie: Jomonte Suvisheshangal
Cast: Mukesh, Dulquer
Trailer:
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