At the point when an undertaking has Chiyaan Vikram in its cast list, the observation around it goes up against an alternate shading. Also, chief Anand Shankar's second directorial Iru Mugan is no exemption either. To top it, we have two Vikrams who are competing for our consideration in the appropriately titled film. A trailer is something that gives the group of onlookers a sneak look of what's in store furthermore fuel the interest levels to make them purchase the tickets and go to the theater. Passing by that, the trailer gave a suspicion of how Iru Mugan will be. Chief Anand Shankar has endeavored to give an activity situated surveillance thriller with some exploratory developments tossed in. There are high flung substance formulae mouthed by the characters with references to Hitler as well. It would appear that the group had done their examination on it fine. Very much created activity successions, gorgeously shot visuals, fair music and flawless exhibitions mark Iru Mugan. In any case, there is something out of order in the film to make you feel that it was such a well made, tight, business potboiler.
What would one be able to say in regards to Vikram? He gives his life and soul to any character that he expositions and in Iru Mugan as well, it is his demonstrate the distance. As the RAW officer Akilan, he draws out the savagery and sharpness of a knowledge officer and as Love, he shakes it for sure. He mixes in the manliness furthermore the womanly way of the character entirely well. It beyond any doubt is a tightrope strolling and praise to the executive for not making a joke of such characters. In any case, why is this character along these lines? Is it accurate to say that it was just to acquire peculiarity?
Nayanthara and Nithya Menen have their parts obviously scratched out to get the shading to the procedures. Intriguing sets of expectations, for example, moral programmer and RAW case officer sound cool. Out of the supporting characters, Thambi Ramaiah has more screen time and the part resemble whatever other one that he has been depicting in a large number of his movies. It is a touch of unconvincing to see cop characters keeping on being anticipated through and through senseless onscreen.
The excellence of Malaysia, Kashmir and different spots go to the fore with RD Rajasekar's visuals. Bhuvan Srinivasan's alters seem respectable. Under Harris Jayaraj's musical Halena tune remains focused. Despite the fact that the melodies are luxuriously choreographed and shot, they are all pointless protractions particularly when the procedures are at an alternate apparatus. Outfits of Nayanthara are out and out chic and uber cool. In an investigative activity thriller, for example, this, scenes must continue at a fast pace. Be that as it may, there are minutes when we leave the happenings on screen and meander around. The group ought to have concentrated more on the story and screenplay, which could have brought about a superior item. The planned turns are well guessable by the present group of onlookers. There are a couple of legitimate inquiries which look unanswered in the story. To total it all, Iru Mugan has its pluses as specialized ability and exhibitions however the center story and the treatment let it down.
Rating: 3/5
Trailer:
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